Was Beethoven Really Deaf When He Wrote All His Music?

Carmen asks: Was Beethoven really deaf when he wrote all his music?

BeethovenIf there is one Ludvig van Beethoven fact everyone knows it’s that he was deaf. But just saying “he was deaf” leaves a lot of pertinent questions unanswered, such as how deaf was he? How did he communicate with people? Of course, the biggest question is how did he compose what is considered some of his greatest music while he was deaf.

Beethoven was born in 1770, and was introduced to music at a young age by his father who was a piano and violin teacher as well as a talented tenor. Young Beethoven was considered a child prodigy when it came to music, and performed his first public concert in his hometown of Bonn when he was just seven years old.

He continued his musical career while learning from some of his great contemporaries, like Christian Gottlob Neefe, who taught him composition. He played viola in the court orchestra and became familiar with operas, several of which were by Mozart. He continued to study Mozart, along with Bach and other famous composers. By 1791, Beethoven had composed several of his own works and began publishing these compositions just a few years later.

In 1795, Beethoven performed publicly in Vienna for the first time. He had developed a reputation with the piano, and wowed crowds with either Piano Concerto #1 or Piano Concerto #2.

All of Beethoven’s achievements above were done—as far as we can tell—with quite good hearing.  This soon changed. Starting around 1796, we have references of Beethoven mentioning in letters hearing “buzzing noises,” but it wouldn’t be until 1801 when we have documented evidence that he had been gradually going deaf. Specifically, Beethoven wrote to his physician, stating:

For the last three years my hearing has grown steadily weaker . . . I can give you some idea of this peculiar deafness when I must tell you that in the theatre I have to get very close to the orchestra to understand the performers, and that from a distance I do not hear the high notes of the instruments and the singers’ voices. . . Sometimes too I hardly hear people who speak softly. The sound I can hear it is true, but not the words. And yet if anyone shouts I can’t bear it.

The exact cause of Beethoven’s deafness is unknown, theories have ranged from syphilis to the composer’s habit of dunking his head in cold water whenever he was tired, among many others.

It isn’t known precisely when he went completely deaf. There are documented instances of people needing to shout in his ear in order for Beethoven to hear them in the 1810s, and his hearing continued to decline from there. It is known that Beethoven continued seeking (fruitless) medical advice and treatment for his hearing up until 1822, after which the composer finally accepted that his hearing was never going to improve and stopped seeking medical aid for his condition.

Beethoven’s music, which is generally split into three periods, reflects the gradual decline in his hearing. The Early Period lasts from Beethoven’s childhood to around 1803, when he had both the First and Second Symphonies under his belt in addition to the accomplishments described above. During this period, he could mostly hear and his music was characterised by higher notes.

The Middle Period starts right around the time Beethoven’s decline in hearing was becoming severe and ends just before the 1820s when he was presumed to be totally deaf. This period is characterised by lower notes, with the number of high notes he used dropping significantly. As you can probably guess, since high notes were giving him trouble, he switched to lower notes so that he could better hear the music he was creating. Compositions like the Moonlight sonata, the opera Fidelio, and six symphonies, among others, were written during the Middle Period

The Late Period starts just before 1820. During this time, his music switched back to including more high notes. If he wasn’t already fully deaf at the start of this period, he was likely close to it. The reintroduction of higher pitched notes suggest that he was resolved to “listening” with his inner ear rather than actually hearing the music he was creating.

One of Beethoven’s biggest accomplishments during the Late Period was the composition of the Ninth Symphony, which he began working on in 1822 and was first performed in 1824. There is a popular story that Beethoven conducted this symphony, and kept on conducting even after the players had finished as he couldn’t hear the applause behind him nor that the music had stopped. Beyond his eyes working just fine, allowing him to see (even if only peripherally) that the musicians had stopped,  this seems unlikely, at least the way the story is commonly stated. If he was indeed conducting, he would have needed to have the music timed perfectly in his head, and if he didn’t, this would have made him a nearly useless conductor. Unsurprisingly given his deafness and the importance of timing in conducting, most historians think that he merely assisted the actual conductor on stage, but did not conduct himself. Whatever the case, it was reported that he received a standing ovation.

While the loss of his hearing was a crushing blow to the man, this was actually a boon to history. As his hearing diminished, he took to writing to communicate with people, resulting in numerous letters and “conversation books,” many of which have survived providing incredible insight into Beethoven’s life and music.  For instance, in a letter to a friend he vocalized his social struggles and his concern over his future on account of losing his hearing: “For two years I have avoided almost all social gatherings because it is impossible for me to say to people ‘I am deaf.’ If I belonged to any other profession it would be easier, but in my profession it is a frightful state…” He went on to say that, “Of course I am resolved to rise above every obstacle, but how will it be possible?”

In the end, Beethoven’s ability to hear for much of his life and mastery over music composition during that time enabled him to continue to compose new music while deaf. Where the disability ended up causing the most trouble was simply in performing in concerts, which he could no longer do with ease. Unfortunately for him, this was a significant source of income that, once he became functionally deaf, he could no longer earn.  Beethoven’s final public performance took place in April of 1814, playing his so-called “Archduke Trio”, known formally as Beethoven’s Piano Trio in B-flat major, Op. 97. Reportedly, Beethoven’s deafness severely impacted his performance.  Composer Louis Spohr had this to say after watching a rehearsal for Beethoven’s last performance:

On account of his deafness there was scarcely anything left of the virtuosity of the artist which had formerly been so greatly admired. In forte passages the poor deaf man pounded on the keys until the strings jangled, and in piano he played so softly that whole groups of notes were omitted, so that the music was unintelligible unless one could look into the pianoforte part. I was deeply saddened at so hard a fate.

Beethoven passed away in 1827. During an autopsy, they found that his auditory nerves had atrophied and Eustachian tube was narrowed. This certainly explained why he was deaf, but not what had caused it. Beethoven himself would commonly blame it on gastrointestinal problems or typhus.

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  • Beethoven probably had otosclerosis, which can include hearing loss, although not necessarily. http://www.researchgate.net/publication/18237435_Beethoven%27s_illness-a_likely_diagnosis

    Add to that the probability of lead poisoning, not from someone trying to murder him but acquired from multiple possible sources, including plumbing, tableware, etc. http://www.aps.anl.gov/News/APS_News/2000/20001017.htm

    Here is a brief overview of the man who supplied the lock of hair for the lab tests revealing the lead concentration. http://www.nytimes.com/2006/09/17/arts/music/17brilliant.html?_r=0

  • Beethoven supposedly drank constantly from his favorite mug (always at his side for decades while composing), which was made of solid lead. If this is true, then he likely gradually and unknowingly poisoned himself, destroying his hearing in the process.

  • Child prodigy. Oh, how that term saddens me. Beethoven found out when he was exposed to a piano and music. How many people (minorities in particular) are never exposed to the thing that would make them great? I suspect the number of fulfilled child prodigies is a fraction of the unknowing child prodigies. What if every one of us was a prodigy, but we never were exposed to our ‘thing?’

    • postal worker bruce

      Minorities? So you bring race into a discussion of the great ones’ deafness. You people never cease to amaze me with your idiocy.

      • Yeah only minorities would have prodigy problems. I would bet that Rob hates the 1% ers too, who most likely compose the highest % of prodigies and believes state socialism is more conducive to encouraging prodigies? A system based on mediocrity.
        My parents hid my IQ from me when I was growing up and fought with me so I would be “normal”. They were afraid I would be discriminated against.
        They had no idea they were the ones discriminating.
        Here’s to mediocrity! Some people think it is the soul food of prodigies.
        Music is State controlled media, try to find a song list of pro-Vietnam war songs and youtube will take you to the People’s Republic of Vietnam’s Revolutionary heroes song list. Those people were worse murdering cut throats than Americans. You won’t find maybe one hit song that was anyways positive except on country western charts, The Ballad of the Green Beret being the only exception I know of.
        So much for the rich people who peddle socialism to save the poor but not at their expense and certainly not if you give the poor real freedoms and encourage competition in the market place of ideas.

      • In the context of Rob’s statement it’s clear he was using the word minority to refer to minors (children) as Beethoven was a “child prodigy”. Older generations used the word for children not races, social classes, economic status, etc. It’s the younger generations who rush to race & prejudice.

    • By definition, not everyone can be a prodigy. Only few are. We are all equally exposed to things in general, as we all are conscious two thirds of our youth. It is foolish to be saddened over such a thing, as eventually, no matter who they are, or what age, everyone is exposed to any commonly recognised ‘thing’, i.e. the piano—if one finds their talent in piano, why should it matter whether they were a ‘prodigy’ or not?

    • There was an awesome commercial. Michael Jordan…working in a hardware store. He’s behind a counter, mixing cans of paint. He crushes up a piece of paper and tosses it into a trash can fifteen feet away, effortlessly.

      • Rob has a point. No one can be equally exposed to things in general. ‘Minorities’ may have been a bad term to choose but I’m pretty sure he didn’t mean it in relation to race. The word minorities can relate to social/economical/racial etc. We can all think about something we’ve never tried and imagine we may be amazing at it. Learning things from a young age can amplify your succession in an area, so yeah, to assume we could have all been child prodigies is not so far fetch really.

  • For all the talk about how opiates are the key to unlocking the uncharted regions of the brain, they also may cause deafness. Maybe that explains why so many biker gangs are into drugs. Every time a biker goes by with an exhaust system louder than a semis I say hmmm maybe heroin?
    I don’t buy the Beethoven drank out of a “lead” mug argument because it would have dulled Beethoven’s mind as well as his senses. How could he write the 9th in deafness and be deaf from lead and not retarded?
    Beethoven’s deafness is a more interesting problem than being discussed. Because it raises the issue of the music as a mathematical equation that peaked with atonal writers. There is the creative spark but much of music is math.
    We take it for granted that Beethoven had to be able to hear at some point to write music that was great when he was deaf. But how does that work?
    I wonder should we consider that if music follows mathematical formulas could a deaf person write music? Even great music?
    Or do we write them off because they are deaf and will never hear their own music? So then what is music? everyone has a song, and that’s as far down the road of socialism I’m willing to follow.

    • Bikers have loud pipes so drivers can hear them coming as most drivers listen to music, audio books, etc while driving. Loud pipes save lives!