The Mock Execution of Fyodor Dostoevsky

execution

On December 22, 1849, members of a Russian intellectual literary group known as the Petrashevsky Circle were sent to Semyonov Square to meet their fate – death by firing squad. With the men pointing their rifles and fingers resting on the trigger, a messenger from the Tsar rode into the square waving a white flag. Like something out of a Hollywood movie, he declared he had an official pardon from the Tsar of Russia, Nicholas I, in a “show of mercy.” This was not a show of mercy, but rather a staged way of fostering fear, terror, and gratitude. This was a “mock execution” and among the victims was the famed Russian author of Crime & Punishment, Fyodor Dostoevsky. So how did he get here?

Fyodor Dostoevsky was born in November 1821 to a working class Russian family. His father worked for a hospital catering to the poor and, while his family was better off than most, he saw first-hand the poverty and disillusionment of Russian society during the 19th century. When he was a child, Fyodor’s father would be promoted several times at the hospital, while coming into possession of lands and serfs. This exposure to Russia’s system of serfdom would greatly influence Dostoevsky later in life.

By the time he had turned 18, both of his parents had died; his mother from consumption (see: Why Tuberculosis was Called Consumption) and his father under more mysterious circumstances. While doctors said he died of a stroke, a neighbor swore up and down that he was murdered by his peasants, tied to a chair and drowned in vodka.

In 1846, Dostoevsky published his first work Poor Folk (also called Poor People), a novella depicting the lives of poor Russians and their relationships with the rich. It was lauded as an achievement by critics, newspapers, and the general literary community. Read the Russian political newspaper Northern Bee,

News about a new genius, Mr. Dostoevsky, is circulating across St. Petersburg. We do not know whether it is his real name or a pen-name. The reading audience is praising his new novel, Poor People.

Even the great Russian critic Vissarion Belinsky praised the novel for being socially conscious and written with great skill. Taking Dostoevsky under his wing, he introduced him to a number of Russian writers, poets, and artists. At least one Dostoevsky biographer believed that this was not a good thing. Said Dmitry Grigorovich, “I can say with confidence that the success of Poor People, as well as the admiration of Belinsky, definitely had a negative influence on Dostoevsky.” Grigorovich goes on to describe how Dostoevsky became arrogant, insufferable, and too confident.

Only 15 days later, another short story of his, The Double, was published in a journal. A few weeks later, this became Dostoevsky’s second novel, a mere five weeks after his first one. This one was not lauded nor loved and his reputation almost immediately collapsed. As a recent Guardian article put it, “Not merely trashed, the book was denounced. Dostoevsky became a bad joke.”

Partially due to the negative attention, Dostoevsky began to suffer from health issues. He fell into severe financial trouble, as well. This forced him to rely upon Belinsky and his group of socialist friends for help. On most Saturdays and Sundays, Dostoevsky could be found at Mikhail Petrashevsky’s residence, who was an intellect and an advocate for utopian socialism. They would talk, eat, discuss the trying times, and denounce serfdom. This weekend group became known as the Petrashevsky Circle.

Besides Petrashevsky, Dostoevsky, and Belinsky, the circle was made up of such individuals as the writer Mikhail Saltykov-Shchedrin, the poet Aleksey Pleshcheyev, and the painter Taras Shevchenko – all well known Russian creatives who happen to be socialist-leaning. Besides serfdom, they also discussed socialist politics, their opposition to the Tsar Nicholas I, and read banned literature. This all came to a halt when, on April 23, 1849, 35 members of the circle were arrested. There was also a note sent to police officers calling for Dostoevsky’s arrest by name. It read,

According to the supreme order of the Tsar, I command you to arrest Junior-Lieutenant and literary artist Fyodor Dostoevsky at four o’clock in the morning… to put a seal on all of his papers, manuscripts, and books, and dispatch instantly all these materials, together with Dostoevsky to the Third Section of the Royal Police of His Majesty… if Dostoevsky claims that certain documents belong to other people, ignore these statements and seal those documents as well.

The group was incarcerated in St. Peter and Paul Fortress Prison, or simply known as “Fortress Prison,” where the worst criminals were kept. After months in prison, they were convicted of distributing letters with “abusive remarks about the Orthodox Church and Government” and conspiring to publish “anti-Government propaganda.” For this, they were sentenced to death by firing squad.

On December 22nd, they were marched out blindfolded to Semyonov Square in Saint Petersburg. As preparations were made, every person was prepared to die that day. As Dostoevsky would later write to his brother,

There the sentence of death was read to all of us, we were told to kiss the cross, our swords were broken over our heads, and our last toilet was made. Then three were tied to the pillar for execution. I was the sixth. Three at a time were called out; consequently, I was in the second batch and no more than a minute was left me to live.

In his novel, The Idiot, he also perhaps shed some light on his thoughts while he had that minute left to live:

…But better if I tell you of another man I met last year…this man was led out along with others on to a scaffold and had his sentence of death by shooting read out to him, for political offenses…he was dying at 27, healthy and strong…he says that nothing was more terrible at that moment than the nagging thought: “What if I didn’t have to die!…I would turn every minute into an age, nothing would be wasted, every minute would be accounted for…

As the squad pointed their guns at the three tied to the posts (as noted, not Dostoevsky, who was off to the side), the shout went out, “Prepare to fire!” and, then, another sound rang out – that of a drummer who had been commanded to beat the “refuse,” meaning stop the previous order. The messenger had arrived with Tsar Nicholas’s I new order. “Long Live the Tsar” was yelled, blindfolds were taken off, and the prisoners, including Dostoevsky, had tears in their eyes. They were saved, but this wasn’t a last second show of mercy. This pardon was actually agreed upon the day before, but with the orders that it was to be announced only at the last possible second.

Mock executions have been a frequent torture technique meant to cause trauma, fear, and, at times, gratitude to those who “saved” them. They have even been used in modern times as well. A recent ABC report stated that ISIS used mock executions on American and Japanese hostages. In 1979, during the Iranian hostage crisis, those who worked at the American Embassy in Tehran were subjected to mock executions. The Chicago Tribune also reported that America’s CIA may have staged mock executions in hopes of getting alleged terrorists to talk in 2004.

Despite this reprieve, the prisoners didn’t get off scot-free, far from it actually. Dostoevsky, along with several of his fellow prisoners, were sent to work camps in Siberia, where they spent four years doing hard labor. When Dostoevsky was released in 1854, he was still required to serve in the Siberia Regiment for a number of years. But he also went back to writing, most likely humbled.

In 1854, he published The House of the Dead, a semi-autobiographical work about life in a Siberian prison camp. He continued to write and gain his literary creditability back. In 1864, Crime & Punishment was published, a novel about a young student plotting to kill a pawnbroker (someone who loaned others money) to take her riches and rid the world of “worthless vermin.” This was Dostoevsky’s most famous work. And, of course, it wouldn’t have been written and you’d likely never have heard of him if the decision to pardon Fyodor Dostoevsky hadn’t been made. It would seem he really didn’t waste the rest of his life.

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