{"id":12524,"date":"2012-08-11T00:01:57","date_gmt":"2012-08-11T07:01:57","guid":{"rendered":"http:\/\/www.todayifoundout.com\/?p=12524"},"modified":"2012-08-11T03:40:48","modified_gmt":"2012-08-11T10:40:48","slug":"this-day-in-history-a-hard-days-night-debuts-in-the-united-states","status":"publish","type":"post","link":"http:\/\/www.todayifoundout.com\/index.php\/2012\/08\/this-day-in-history-a-hard-days-night-debuts-in-the-united-states\/","title":{"rendered":"This Day in History: A Hard Day’s Night Debuts in the United States"},"content":{"rendered":"

\"\"<\/a>This Day In History<\/a>: August 11, 1964<\/strong><\/p>\n

On this day in history<\/a>, 1964, what would later be called one of the 100 greatest films of all time by Time Magazine, the Beatles “mockumentary”, A Hard Day’s Night<\/a>, debuted in the United States.\u00a0 (Warning: There be spoilers in the A Hard Day’s Night<\/em> facts ahead!\u00a0 So if you haven’t seen it, you might want to watch it before reading on.)<\/p>\n

By 1964, putting a music star in a feature film was certainly nothing new, the roster of musicians doing so included such luminaries as Frankie Avalon, Annette Funicello, Ricky Nelson, Fabian, and of course, that paradigm of the low-budget (and lousy) movie musicals, Elvis Presley himself.\u00a0 The problem was that with few exceptions, such films were nothing more than cheap fluff and little more than an excuse to make a few quick bucks and get some songs (usually very bad ones) on the screen and perhaps (as in Elvis’ case) to release an embarrassingly mediocre soundtrack album.<\/p>\n

Song quality notwithstanding, this was United Artists’ idea when they signed a newly popular group called the Beatles to a three-picture deal late in 1963.\u00a0 Their basic plan was to put out a cheapie, hack film with the red-hot pop group, then clean up on the soundtrack album. The second half of the plan actually worked, but as for the first half of the plan, the Beatles had other ideas.\u00a0 “We didn’t want to make another shitty pop musical”, recalled John Lennon.\u00a0 As with just about everything they did at this time when it came to entertainment, they succeeded at this goal.<\/p>\n

The Beatles chose 32-year-old director Richard Lester to guide them after seeing, and loving, a black & white comedy\/avant-garde short he directed called The Running Jumping and Standing Still Film<\/em>.<\/p>\n

Instead of an actual movie with a typical plot, A Hard Day’s Night<\/em> was a quasi-documentary, capturing a day in the life of the most popular band in the world.\u00a0 As screenwriter Alun Own said, “I had a couple of false starts trying to write a fantasy film, but quickly realized that nothing could compare with their own fantastic lives.”\u00a0 To get the flavor of the four individual Beatles and their lives, Owen lived with the fab four for two days.\u00a0 When he asked John what their life was like, John replied, “It’s a train and a room, and a car and a room, and a room and a room.”<\/p>\n

It was Owen who wrote them as four clear and individual characters, giving life to the four classic Beatles’ stereotypes, which in popular opinion still holds to this very day (John- the witty one, the smart ass; Paul- the cute one, the romantic Beatle, the one the girls swooned over; George- the quiet one, the sullen Beatle; and Ringo- the dumb but cute “little fellow”.)\u00a0 Owen added: “There was never a question of writing equal shares for them- I wrote for the four of them, remembering each one as important as the others”.<\/p>\n

A rock bottom budget of 200,000 pounds (around $500,000.00, or about $3,400,000 today) was allotted as the film’s budget, along with a 7-week shooting schedule (March 2- April 24, 1964.)<\/p>\n

The film’s opening shot is of the four Beatles being chased (by actual fans) down the street.\u00a0 George accidentally tripped and fell down in this opening shot, tearing his pants, but somehow this glitch worked, and was left in the film as its initial scene.<\/p>\n

The Beatles spend the first half of the film on a train.\u00a0 It was on the train that George, in real life, met knockout actress\/model Pattie Boyd, who had a role as a girl traveling on the train and whom he almost instantly fell in love with (or perhaps when talking “instantly” we should say “enamored” or “in-lust” with).\u00a0 Whatever the case, things progressed from there and the two got married 18 months later.<\/p>\n

Veteran British funnyman Wilfred Brambell was cast as “Paul’s grandfather”, who the boys have to “baby-sit” on the train.\u00a0 But the innocent looking grandfather is actually “a villain” and “a king mixer”, who delights in causing trouble for others (especially Ringo.)\u00a0 Norm Rossington and John Junkin were cast as “norm” and “shake”, the boys’ road managers. (These two characters were based on the Beatles’ two real life road managers Neil Aspinall and Mal Evans.)<\/p>\n

Often using a hand-held camera for spontaneous shots, director Lester created new film styles with his innovative cinematography.\u00a0 The film’s threadbare plot has them rushing around, trying to find Ringo who has disappeared, in time to make a television appearance.<\/p>\n

The Beatles enjoyed the film-making experience, although after being up drinking at clubs until 2 or 3 in the morning, this made their 6:00 a.m. calls to the set a tad wearisome.\u00a0 The four would be driven to the film set, looking over their scripts and learning their lines on the drive.\u00a0 In fact, Ringo’s big scene in the movie, where he walks along the seaside, chatting with a ten-year-old boy, was filmed while Ringo admittedly had a huge hangover from the previous night.<\/p>\n

The film’s big finale has the three Beatles finding Ringo, who has been arrested by the police, and making it to La Scala Theater in time for the big show.\u00a0 The concert at La Scala ends the film, with the Beatles belting out half a dozen songs. As the film ends, the boys run for a waiting helicopter to whisk them away to a late night concert.\u00a0 Alas, poor George- another unplanned glitch, during the film’s final scene, he loses his shoe running for the chopper.<\/p>\n

A few days before the film shoot ended, producer Walter Shenson was desperate for a title song.\u00a0 He had already decided A Hard Day’s Night<\/em> was a perfect title and knew the film was to open with the boys being chased to the train, but had no music to overlap the scene.\u00a0 Shenson kept bugging John to write a song based on the film’s title<\/em>.\u00a0 Finally, John agreed, saying “You’ve given me food for thought.”\u00a0 John then scribbled some lyrics on a handy matchbook cover in the car as he was being driven home.\u00a0 The next day, John and Paul played the song John had hastily composed the previous night for Shenson and a hit was born.<\/p>\n

A Hard Day’s Night<\/em> premiered on July 6, 1964 in London, with the Queen in attendance.\u00a0 It further went on to debut in the United States on August 11th of the same year.\u00a0 It was a surprise smash hit at the box office, while garnering rave reviews from all quarters. Notably, Andrew Sarris of The Village Voice<\/em> dubbed it “The Citizen Kane of jukebox musicals.”<\/p>\n

Beatles biographer Julius fast summed up A Hard Day’s Night<\/em>, “The picture took everyone, critics and fans alike, by surprise. The boys clowned their way through it, and brought to the film their own particular brand of insanity and mockery… In the end, the picture became a means of projecting their own image, four boys in adult bodies thumbing their noses at the world.”<\/p>\n

If you liked this article and Bonus<\/span> Beatles Facts below, you might also like:<\/p>\n